I just finished reading Steve Lopez’s The Soloist, a book about the struggles of a Juliard-trained musician contending with Schizophrenia. Nathanial Ayers combats his illness with a deep and undying love of classical music. He still has moments of clarity where he can create a masterful sound as he plunges into Beethoven movements on his cello or violin. But his hopeful moments are always followed by a submergence into the depths of despair that have him preferring a life on the streets to an apartment and psychiatric treatment that Mr. Lopez finds for him.
Ayers’ plight reminded me a lot of my own. During times of stability, I was moved by a profound and passionate love for literature and written expression. I would lose myself in masterpieces like Cather in the Rye, often creating my own fictional versions of the classic work. My characters were layered and multi-dimensional, often representing people whose paths I crossed during my youth or travails across country. During times of mania, much like Ayers, I experienced augmented creativity that allowed me to see the prose I constructed before my very eyes.
Research has proved that there can be a link between mania and creativity which speaks to the many artists, writers and musicians, including Ayers and the great Ernest Hemingway who were creative geniuses while struggling with mental illness.
My regret is that I never held on to any of my work during my manic episodes in Vegas and LA. When I finally accepted treatment and got well, I disposed of everything I wrote when I was symptomatic, fearing that it would remind me too much of troubled times.
One creative flourish in particular documented a disillusioned teenager seeking refuge in a trip across the country to find meaning and purpose in his life. He stays with a relative in Vegas where he gets caught up in a dangerous lifestyle, becoming a regular at the sports book and various casinos. His cousin, who is a member of the FBI, helps him get back on track and find respite to his tormented existence in his loving family. I wrote it during a stay at an impatient care facility in Texas and left it there when I was set to return home to Chicago.
Today I struggle to find inspiration for my creativity. My only real writing outlet is this blog. Off the medicine I can paint elaborate landscapes with my prose. I can imagine multi-faceted characters and dense plots riddled with exciting twists and turns. On my meds I am constrained by here-and-now realities, missing the ability to dream and conjure. The trade-off is that now, unlike Ayers who refuses medication throughout the book, I am not plagued by periods of confusion and rage. I do not experience downward spirals where I put my life in danger. I am not burdened by nights where I have no other place to lay my head than my car pulled off on the shoulder of a dark and desolate inter-state. I guess creativity is a small price to pay for a safe and harmonious existence.